Following on my theme of emotions from my blog about a writer's doubts and insecurities I thought I'd detail the emotional stages I go through in writing a novel. Many if not all fiction writers, ride the emotional roller coaster of emotions when crafting their novel. Iris Murdoch said, "While I am writing it, it's always surrounded by such an aura of creative aspiration and joy, clairvoyance and what not, it seems better than it is. Then afterwards the light is withdrawn and it seems quite dead and worthless." For me, each stage of writing a novel brings with it a range of different emotions. These range from excitement to frustration, relief, doubt, fear, anxiety plus a whole lot in between.
So here then is the gauntlet of emotions I run while writing one of my crime novels.
1. Excitement
Starting a new novel gives me a real buzz. The idea, the victim, the location or theme is there. I work up the beginning, create some new character sketches, conduct some research. The ideas begin to flow. At this stage I'm not sure where the novel is going or how it will end, I plot as I write. I can't wait to get going on the creative writing and do as soon as I possibly can, usually within a week or two of coming up with the idea. I'm off!
2. Frustration
I thoroughly enjoy the buzz generated by the flow of the creative juices but often wish I could wave a magic wand and that first draft would be dumped directly from my brain on to the computer without all the effort of having to key it in. One day with AI and whatever invention they come up with next this might be possible. I'll probably be long gone by then.
I try to write the first draft as quickly as possible, with minimal editing, because that slows down the creative process. While writing the first draft I'll also be conducting more research, which in turn often sparks some new ideas.
Frustration is also experienced when I come to a point in the novel where I don't know where the story is going next. Then I need to do more research, think through my characters motivations, do some more plotting.
3. Relief
Once that first draft is written, usually after two/three months, comes a sense of relief. I've got anything between 80,000 and 100,000 words on my computer screen. The story is there, along with all its faults and flaws, and I have something to work on, to shape and mould into what I hope will be perfection.
It's revision time
I go through the novel and flesh it out, check the structure, the clues, red herrings, motivations and personalities of the characters. Make sure the story holds together and the plot is the best as I can make it with plenty of twists and turns along the way. This may take several revisions and often further research until finally I check that everything hangs together, all the unanswered questions have been answered and the words and phrases used are the correct ones.
4. Doubt
Ah, now come the doubts which can come at any stage throughout the revisions. Is it good enough? Could I change this chapter, this scene, this phrase or word? Could I improve the entire novel, perhaps I should re-write the wretched thing. Help! By now I am so close to it that it is difficult to be objective.
5. Fear
Having gone through several revisions I'm now at the stage where I feel I can no longer change anything. It is as good as it's going to get and I desperately need a fresh eye over it. With a rapidly beating heart, hesitating for several minutes, my finger poised over the send message button, I take a deep breath and off it goes into the ether and to my editor.
6. Hope and Anxiety
OK, so I've cheated here and mentioned two emotions. Hope and anxiety go hand in hand. Hope that my editor will like the novel and that DI Andy Horton, Inspector Ryga or Art Marvik, will live to see another day, while at the same time I experience anxiety that this book might not be good enough for publication.
7. Depression or anti-climax
Finally, I thought I should mention here what several writers experience after completing a novel. Some indeed do become depressed, others' experience a sense of anti-climax, having lived with their novel for so long it has become so much a part of them and now is the time they have to let go. My antidote to this is to have multiple writing projects on the go usually other novels, which means that when I have finished writing one novel I can go straight into writing the next.
And maybe I should add another point insecurity. Read my blog on A writerr doubts and insecurities.
PS We're really a happy bunch of people especially if we're giving pleasure to many readers. Watch my lttle fun video.
Pauline Rowson lives on the South Coast of England and is the best selling author of many crime novels, published by Joffe Books. Her popular crime novels include the DI Andy Horton Solent Murder Mystery series, the Art Marvik mystery thrillers and the 1950s set Inspector Ryga mysteries. Subscribe to her newsletter for all the latest books news.